Creative Industries UK-wide

Meet your film, TV and music production regulatory duties

If your production works with child performers, supplies classified video works, exhibits films to the public, creates copyright-protected content or licenses music rights, your business carries sector-specific duties on top of the universal workplace foundation. This guide covers each regime and what you need to do.

Guide summary

You must get a child performance licence if you employ a child of school age in a production. Classify physical video works with the BBFC before selling them. Get a premises licence if you show films to the public. Clear copyright for any content you use in your production.

  • Apply for a child performance licence from the child's home council
  • Use a registered chaperone for child performers
  • Classify DVDs and Blu-rays with the BBFC before selling
  • Get a premises licence from your local council to show films publicly
  • Clear copyright for scripts, music, images and archive footage
  • Copyright is automatic – you do not need to register
  • Check which regimes apply – you must follow all that apply
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Music and entertainment licensing

TheMusicLicence requirements for playing background music, hosting live performances, and DJ events in hospitality venues including costs, what's …

Some film, TV and music production activities carry their own licensing, classification or regulatory duties on top of the workplace health and safety, fire safety, insurance, equality and data protection duties covered in the universal spine guide. This guide covers five sector-specific regimes. If more than one applies to your business, you must comply with all of them.

A. Child performance licence

A production engaging a child of compulsory school age in a performance for which payment is made — or which is broadcast or recorded for an audience — generally needs a child performance licence from the child's home local authority, together with a registered chaperone and limits on working hours and conditions. The duty arises under section 37 of the Children and Young Persons Act 1963 and the devolved performance regulations: the Children (Performances and Activities) (England) Regulations 2014, the equivalent Scotland Regulations 2014 and the Wales Regulations 2015. Northern Ireland has separate provisions. The licence requirement applies to production, not post-production or distribution.

You apply to the local authority where the child lives, not where the production takes place. The chaperone must be registered with the licensing local authority. Depending on the devolved regulations, the chaperone may not be the child's parent or a person connected with the production — check the conditions set by the licensing authority.

B. BBFC video classification

Video works supplied on physical media — such as DVD and Blu-ray — must, unless exempt, be classified by the designated authority, the British Board of Film Classification (BBFC), before supply. Online and download-only supply is outside the Video Recordings Act, though the BBFC also offers a voluntary digital age-rating service. Supplying an unclassified or wrongly-classified work, or supplying to someone under the certificate age, is a criminal offence under the Video Recordings Act 1984 (re-enacted by the Video Recordings Act 2010). The BBFC operates UK-wide.

The classification duty attaches to the supplier or distributor, not the producer. If you produce content but do not supply it to the public yourself, the classification duty falls on whoever does. If you both produce and supply, you carry the duty.

C. Cinema premises licence

Exhibiting a film to the public is a licensable activity requiring a premises licence under the Licensing Act 2003 in England and Wales. The licence carries the mandatory film condition: the licensing authority must restrict admission in accordance with the relevant age classification (typically the BBFC certificate, or the local authority's own determination). In Scotland, public film exhibition is licensed by the council under the Cinemas Act 1985, which remains in force there. Premises licensed under it are exempt from the public entertainment licence regime of the Civic Government (Scotland) Act 1982. Northern Ireland retains a separate cinema-licensing regime.

The licence is granted by the local authority acting as the licensing authority. You apply for the premises licence before opening the venue to the public.

D. Copyright and intellectual property

The Copyright, Designs and Patents Act 1988 (CDPA 1988) is the core intellectual property regime for the sector. Films, sound recordings, broadcasts, musical works and literary works (including screenplays) are all protected. Producers must clear and license rights in any pre-existing material — scripts, music, images, archive footage — before incorporating it into a production. Copyright arises automatically on creation. There is no registration requirement in the United Kingdom. The Intellectual Property Office (IPO) administers. CDPA 1988 applies UK-wide.

E. Music rights and collective licensing

Recording studios, labels and music publishers must clear and license rights under the CDPA 1988, but the practical mechanism is private licensing through collecting societies — PRS for Music (songwriters' and publishers' performing and mechanical rights) and PPL (recording and performer rights). These are commercial bodies, not statutory regulators or licensing authorities. Their conduct is overseen via the Copyright (Regulation of Relevant Licensing Bodies) Regulations 2014 and, for competition, the CMA. There is no government permit to record or publish music — the obligation is to hold the correct rights and licences.

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    What to do next

    Complete the film, TV and music production compliance checklist to confirm you have met every obligation that applies to your business.